Showing posts with label Mountain of the Hillbilly God. Show all posts
Showing posts with label Mountain of the Hillbilly God. Show all posts

Monday, August 9, 2010

Medieval Warrior



One of the best things about indie, micro-budget filmmaking is that you rely on volunteer collaborators, and you find them in the most interesting places. I strongly believe that George Lucas's films were better when he had a smaller budget that forced him to compromise: necessity is the mother of invention, or so they say. My case in point is last weekend's shoot of the "Hillbilly Warrior" montage. This vignette of scenes trace the origins of a fictitious, archetypal "hillbilly" back to the old world, where we find him in a medieval battle, a scene that posed the challenge of finding fighter-extras, plus medieval weapons and armor. Our writer, Kom Kunyosying, had the great idea of contacting a local SCA (Society for Creative Anachronism) chapter. After a friendly email exchange, and meeting in person at their practice site, they invited us to shoot the 30-second scene at a gathering of three Oregon chapters. I cannot rave enough about this hospitable, and hard-working group of men who took time out of their regularly scheduled event to make us welcome, to suggest a good location, and to spread the word about the movie shoot among the crowd. Not only did the dozen men who committed to being in the movie contributed their combat skills, including their weaponry and armor - even outfitting our actor in their own, handmade period gear - they also gave energetic performances, literally throwing themselves into our combat scene. They designed their own choreography, which was inspired and raised the overall production value of this movie. All this effort was made for the "glory" of helping to make a movie. I am grateful and indebted to these folks, whose generosity confirmed my belief that working on limited resources produces collaboration and pushes ideas beyond one particular vision, toward an even greater end than any individual could have imagined alone.

Monday, June 7, 2010

Campfire location scouting

Today, Carter and I did some location scouting for our "campfire" scene, also known as "Night at Goody Moseley's." We'll actually shoot about four scenes here over the one night that we will reserve the location. We're thinking to plan the shot list for each scene and then choose a shooting order that puts all the master and long shots in the earlier part of the night and all the closeups later. so as we're losing daylight, we can take advantage of the firelight.

We're definitely going to need extras for this shoot - about twenty people to stand or sit around the fire. Most of the action takes place on the periphery of the fire, as our principle actors get involved in various shenanigans. Stay tuned for our casting call for extras.


Here's some video of the location, taken for planning purposes.

Wednesday, May 26, 2010

First Shoot: Hillbilly God



“Mountain of the Hillbilly God” is a micro-budget suspense-thriller set in rural West Virginia, being shot in the Pacific Northwest, by Fleem Productions. The script was written by Kom Kunyosying, his sophomore screenplay. It's being produced by Carter Soles, who is also the Director of Photography and lighting designer. I am director and editor. Today was our first day of shooting, and the only one that will require everyone in the nine-person ensemble cast to be present.

Despite difficult weather (cold and wet), and even with the changing light conditions from intermittent cloud cover to brightly dappled sun, the footage looks great. I'm totally sold that this will be Fleem's most impressive movie yet.

One of the main reasons our footage looks so good is because of our cast. I hope to put up a photo page of characters bios so you can see how awesome they all look. And not only do they look fabulous, they were patient with the "hurry-up-and-wait" pace of this first shoot. I'm so grateful for that patience.

Another reason our footage looks so good is because our props and costuming are top notch, especially for a micro-budget digital movie. Family loaned us two great vehicles for the Sheriff’s truck and for Edgar and Oma Jean’s truck. We bought prop guns made out of real gun parts, and we invested in real badges and utility belts. at every turn, the production value is higher for this movie than our previous two. A big thanks to everyone who has contributed already!

Stay tuned for photo updates and future posts, and follow the filming of Fleem's third feature-length movie, "Mountain of the Hillbilly God."